A handful of monitor and hologram comps I did at Cantina Creative for Black Adam. Client Warner Bros. Pictures Visual Effects Supervisor Aaron Eaton Visual Effects Producer Sean Cushing Visual Effects Coordinators Eliet Flores, Heather Nicoll, Jacob Saar Design \ Animation Nicolas Lopardo, Ramiro Galan, Darby Faccinto, John Flores, Ryan Uhrich Compositors Zachary Kinney, Brandon Hines, Manthan Bhyani
Some of the almost 200 VFX shots I worked on as part of the Bloodshot in-house team over on the Sony lot.
A handful of the more than 100 VFX shots I completed for the film The Darkest Minds as part of the in-house team. I was also involved in the postvis phase of the film where I worked on several hundred VFX shots.
Hologram design/animations and lead in-house compositor on the film Allegiant. Completed over 200 postvis shots, and around 40 finals.
Compilation of the work I did for the film Event 15 (aka Alpha Alert). I worked as an on-set VFX Supervisor, compositor, and designer on this. Work included set extension, particle animation, comp, news graphics, UI design, and monitor comps. See some of my poster designs for the film here.
In-house compositor work doing postvis and finals for RED 2.
Design, VFX, and animation work I did for the documentary film The Principle. See some of the style frames I made for this project here.
In-house comp work for GI Joe: Retaliation. I also worked on hundreds of postvis shots for this.
RED was my first feature film. I worked as the in-house compositor and postvis artist.
Designed and composited on-stage graphics for their Godsmack Oracle world tour.
X-Japan pachinko game cut-scenes I did on-set VFX supervision and compositing for. Some of my earliest work in compositing.
