I led and animated much of this for the first season of the show Tell Me A Story at Prologue Films. We tried to keep the animation to a minimum to give it the feeling of a living storybook.
For season 2 of Star Trek: Discovery, CBS requested a handful of changes to the original title design. Prologue hired me to come in as a 2D animator/compositor, and bring the new designs to life. This was nominated for an Emmy.
Lovely direction and design from the Prologue crew. I did most of the animation on this one. Some of my favorite title design work, even though the client ended up going with another direction in the end.
Title sequence for the 8th season of the show AHS: Apocalypse. I did the VFX and animation for this at Prologue Films.
Designed and animated these titles for a reality show pilot Business Models.
A small sampling of shots I worked on at Logan for a WWE promo. Work included color grading, particle FX added to the practical ones, time-remapping, lens flares, and type.
Animated this title sequence at Prologue Films for Dirk Gently’s HDA.
I designed and animated this title for the short doc Room 19, about a classroom of 3rd grade art students. Style frames and movie poster below.
Compilation of the work I did for the film Alpha Alert (previously Event 15). I worked as an on-set VFX Supervisor, compositor, and designer on this. Work included set extension, particle animation, comp, news graphics, UI design and monitor comps. Movie poster exploration I did for this below.
Hologram design/animations and lead in-house compositor on the film Allegiant. Completed over 200 postvis shots, and around 40 finals.
“Natural & Unnatural Colors” Title sequence pitch at Engine Room Hollywood for the Jamie Oliver’s Revolution American TV series.
“Coming to America” Title sequence pitch at Engine Room Hollywood for the Jamie Oliver’s Revolution American TV series.
Title sequence and graphics package I designed and animated for the documentary Empire. Produced at Engine Room Hollywood for the National Geographic channel. A few of it’s style frames are below.
Design, VFX, and animation work I did for the documentary film The Principle. See some of the style frames I made for this project below.
Designed and animated this title sequence at Engine Room Hollywood for the Christmas special Good Luck Charlie film. See some of the style frames I made for the pitch below.
Designed and animated this title sequence at Engine Room Hollywood for The Food Network show Meat & Potatoes. Some logo explorations and style frames below.
True Blood promo pitch “Rivers & Veins”
True Blood promo pitch “Ready For Seconds?”
Bored to Death promo pitch “Slideshow” done at Engine Room Hollywood.
Bored to Death promo pitch “Computer Screen” done at Engine Room Hollywood.
Bored to Death promo pitch “Mysterious” done at Engine Room Hollywood.
A Cofidis commercial I animated at Ramon + Pedro.
Music video for the song 2am by Slightly Stoopid. This was the first music video I ever worked on. I designed and animated most of the graphics for it.
Designed and animated this title sequence for E-Vets: The Cutting Edge while Design Director at Click3X. Style frames for this and an alternate below.
E-Vets title sequence pitch “Needle & Thread”
E-Vets title sequence pitch “Cut-outs”
Opening sequence I directed, designed, and animated a few years back for the One Club Interactive‘s award show. Z-trip did the music live for the show, and was quite the party.
Marketing material introducing the new line of Zip sneakers for New Balance. I directed, designed and did most of the animation on this. Done while I was the Design Director at Click3X. Check out my style frames for some of the alternates below.
New Balance pitch “Future Tech”
New Balance pitch “Evolution of Science”
I designed and animated this Andy Awards show opener while Design Director at Click3X.
Animated this at R/GA back in ’99, celebrating Harvey’s 32 years as president and executive producer of BAM. Still think it looks pretty cool.
